Articles Posted in Business Disputes

The U.S. Court of Appeals for the Seventh Circuit recently joined the Sixth, Eighth, Ninth, and Eleventh Circuits in ruling in favor of insurers facing COVID-19 business interruption lawsuits. The consolidated appeal dealt with three different claims under Illinois law brought by affected businesses in a diversified range of industries from a dentist office to a hotel.

Each of the plaintiffs was a business that had purchased a commercial-property insurance policy from the Cincinnati Insurance Company. Shortly after the initial outbreak of COVID in Illinois, Governor J.B. Pritzker issued several executive orders that forced each business to shut down or drastically scale back operations. As a result, the businesses claimed to have lost substantial business income and submitted claims to Cincinnati under their policies. Cincinnati denied each of the plaintiff’s insurance claims. Continue reading ›

Back in September the resident-run condo board of 432 Park Avenue in Manhattan sued the developer of the building for $125 million to repair 1,500 alleged defects to the luxury condo building. According to the lawsuit, multiple residents experienced flooding in their units and noise as a result of alleged building defects. They also reported elevators that would get stuck and trap residents for hours.

The lawsuit further alleges that the construction issues have affected the building’s management, causing common charges to go up by 39% and insurance premiums to go up 300%.

The building’s developer denies the allegations made in the September lawsuit, arguing the allegations of safety defects were exaggerated, and that many of the problems it acknowledged were either caused and/or exacerbated by the residents themselves. According to the developer, it tried to address some of the issues listed in the residents’ lawsuit, but it claims the condo association either cancelled appointments or blocked access to the building when repairs were scheduled to be made.

As a result, the developer has filed a counter lawsuit against the condo board for defamation. According to the developer’s lawsuit, 90% of the building’s units were sold at the time the condo association filed its lawsuit, but sales dropped dramatically after the residents started making their allegations against the building’s developer. To back up its point, the developer pointed out that, overall, 2019 was a strong year for luxury condo sales, suggesting the lag in sales at the 432 Park Avenue building was most likely due at least in part to resident complaints. The developer has not specified the amount of damages it is seeking in its lawsuit against its residents, but it’s likely to be tens of millions of dollars.

The president of the condo board denies all the allegations made in the developer’s defamation lawsuit. Continue reading ›

The Nazis viewed modern art as “degenerate” and therefore confiscated whatever pieces of art they found to be “degenerate,” but that didn’t stop them from profiting off those pieces of art.

While the Nazi party refused to display artwork it did not approve of in German museums, they saw nothing wrong with selling the artwork to foreign buyers, which is how many pieces of art confiscated by the Nazis came to be displayed in American museums. That puts those museums in a morally uncomfortable position.

While the Nazis claim they “confiscated” works of art from its citizens, the truth is that they stole the artwork and used the proceeds from selling it to fund a fascist regime that killed millions of people.

In general, American museums recognize that artworks “confiscated” by Nazis are stolen, and that the Nazis had no legal right to sell them. As a result, American museums have returned many pieces of stolen artwork to the heirs of their original owners or creators, but the Philadelphia Museum of Art is still hanging on to “Composition with Blue” by Piet Mondrian, which was “confiscated” by the Nazis and sold to an American during WWII.

Mondrian had given the painting to Sophie Küppers, a German art historian and dealer, shortly after he completed it in 1926. The next year, Küppers moved to the Soviet Union, leaving the painting in Hanover at the Provinzialmuseum. After the Nazis came to power, they “confiscated” the painting, whereupon it was given to Karl Buchholz to sell to a foreign buyer.

Buchholz had a business partner, Curt Valentin, who was based in New York, so Buchholz sent the painting to Valentin to be sold in the United States. Valentin sold it to an art collector named Albert E. Gallatin. Continue reading ›

A manufacturing plant may have closed four years ago, but according to multiple lawsuits, the effects of the alleged mismanagement of dangerous chemicals used at the plant are still affecting residents of the area surrounding the now-defunct plant.

The plant in Tioga, LA opened in 1961 and made pressure relief valves for the oil and gas industry. The plant was sold to and absorbed by various companies over the years, and the plant was finally shut down for good in 2017 after the company that owned and ran it was absorbed by General Electric Oil & Gas in 2010, and the two companies combined became known as GE-Dresser.

In November of 2011, when the plant was still up and running, a fire hydrant near the plant broke and water filled an area that had been excavated for repairs. According to some of the recent lawsuits, a chemical sheen could be seen on the surface of the standing water.

A few months later, GE-Dresser notified the Louisiana Department of Environmental Quality (LDEQ) about a spill at the plant that had resulted in trichloroethylene (TCE) and tetrachloroethylene (PCE) getting released into the ground around the plant. The chemicals are used to clean grease from metal, and neither exists naturally, but has to be made in a lab.

The LDEQ installed monitoring wells to test the soil and groundwater for dangerous levels of TCE and PCE, but allegedly did nothing to notify residents about the possibility that toxic chemicals had been released into their environment until January of 2020, when the department first learned about the contamination levels in the Aurora Park subdivision. Some residents claim they weren’t notified of the contamination until months later in 2020. Continue reading ›

Paying college tuition has long been a struggle for many aspiring students and their families, but when it comes to paying for college, tuition is just the beginning. The cost of textbooks and other school supplies is another financial hurdle, and according to an antitrust lawsuit, some of the biggest on-campus bookstore chains and publishers of college textbooks have deliberately created and taken advantage of the Inclusive Access program to monopolize the market on college textbooks and raise prices.

The Inclusive Access program requires students to buy one-time access codes to access textbooks and course materials online. Because the access codes only work once, students are required to buy into the program each semester, meaning they can’t reuse textbooks or any other online materials they (or other students) already used in another class. Because all the materials are available online, the program is less expensive than buying new, hard-copy textbooks, but more expensive than buying used, hard-copy textbooks.

The lawsuit was filed by college students, independent bookstores, and online textbooks retailers against Barnes and Noble Education, Follett Higher Education Group, Cengage Learning, McGraw Hill, and Pearson Education. According to the lawsuit, the textbook publishers and major retailers are collectively making $3 billion annually from their sales through the Inclusive Access program. At the same time, the lawsuit alleges, the same program raised prices for hundreds of thousands of students, requiring them to pay for the online access code to get all their class materials, instead of getting some of their textbooks used, which would allegedly have saved them money. Continue reading ›

How do we know how much a piece of art is worth? For most of us, a professional art appraiser or auction house gives us a number or price range, but that number is based partly on how much the artwork sold for the last time it changed hands, and it turns out determining that number is more tricky than it might initially appear to be.

To start with, who’s really buying the artwork? An auction house or dealer might say that sold a piece to a particular collector, but they rarely meet the collector in person. Instead, they deal with a “friend” of a collector, but that “friend” might turn out to be an “independent agent” who buys the artwork from the auction house or dealer for one price and sells it to someone else at a higher price.

Buyers and sellers are frequently shell companies, rather than individual agents, taking advantage of the secrecy inherent in the art world to conceal their identity.

Most investors would never consider investing millions (much less billions) into an industry with so much secrecy because such secrecy leaves the industry ripe for fraud. But in the case of the art world, it is that very secrecy that makes it so appealing to certain investors.

To combat the fraud that some say has become rampant in the world of art collecting, some people are saying it’s time we treat art dealers and auction houses more like we treat banks.

Banks are already required by law to identify their customers and where their wealth is coming from, as well as any transactions involving more than $10,000 in cash. Now the federal government is considering applying that same law to the art world. The new law would put an end to shell companies acting as collectors, or allegedly buying on behalf of collectors. Continue reading ›